supported by the likes of 2000 and one, marco carola, adam beyer and tobi neumann, matthias tanzman, among many others. remote area represents the current leading amsterdam underground scene. where artists like microfunk (aka 2000 and one & dave ellesmere), kabale und liebe, lauhaus, daniel sanchez contributed to big club hits. these hits are >pecan<, >mumbling yeah< and >makake< . now julien chaptal also known for the melodic wonderland, am i loco lima, and freedom fries together with lauhaus is coming forth with his excellent debut album called tokens on the remote area imprint. before the album is released chaptal wants to provide you with a bit of a taste from a french artist living in amsterdam. bon appétit.....enjoy it

the latest release on rising trax is this cheeky little ep from max vangeli. three top draw tracks on show here. >crazed< starts simple yet effective and builds slowly into a big distorted guitar hook before dropping back into a very militant rhythm. >k.e.j.i< is a stripped down prog house number with a wicked groove overlaid with nice stabs and a cool hook. the final track of the ep is >i rock< which begins as a minimal house track then drops with some cool squeaks, bleeps and delayed noises. the stabs turn into a big snyth riff which can only be described as large!

is there more to life than house music? for the swedish dj/producer mikael nordgren: probably not. since 2004, he has been steadily churning out some of the best future house tunes from his studio located in stockholm. his productions have been released under many aliases including dmalicious, 12th floor and for get physical under the mighty moniker of tiger stripes. the blacker the music, the sweater the sound. a potential anecdote that fittingly could have inspired mikael when he composed the warm and supple portion of detroit fueled funk that is, blackroom entertainment. yet another presentation of his programming prowess and ability to mold and mend melodies into a sophisticated groove. especially utilizing his signature catchy drums to get the vibe going, then introducing a melodic synth stab before the track takes you away with complex variations of rhythmic lead sounds. abacus may remind listeners of his stellar mad at me ep released last fall on get physical - albeit reformed with a more analog approach. springing tones get the groove rolling before it is taken over by a cabal of sci-fi sounds, at which point a thick, modulated analog bass sound ups the overall energy. the lack of audio imagery is little if none, as the sounds invoke so many moods, feelings and sensations that only a seasoned dj and knowledgeable producer could fabricate such a convincing theme. blackroom entertainment ep again showcases mikaels ability as a formidable contributor to house music

the vex d remix of knowledge has appeared before, but is here reissued with a brand new a side, namely toastys stunning (and previously unavailable) rub of the classic candy floss. the sweetness of the original has been all but sucked out though, replaced with a techy melancholy which evokes classic metalheadz vibes.

electronic avantgarde! mooner edits.. conrad schnitzler is considered to be the keyfigure of electronic avantgarde music in europe. schnitzler, joseph beuys first student was member of tangerine dream and kluster (who would later become, cluster. many years ahead of his time, con was revolutionary in many aspects, he predated industrial music, sounded like kraftwerk and daf before they did and makes music today at the age of 71. mooner is not only known for zombie nations, kernkraft 400 that became a top ten hit in many european countries. he is also dj, compiler for the compilations, elaste, slow motion disco, on compost, and, together with pollyester just established a new label called love in c minor.

scrubfish and nate laurence are back on spatulacity to follow up their killer disco papacy offering that first appeared on the four piece set sampler series. the result is the stellar drunkle bob & aunt d lishus ep, four tracks of goodness (including disco papacy and the never before released acapella to that track) as well as three fantastic new joints: sake to me, bar fly, and creepin hoodlums!

2008x remixes by michael woods, deadmau5 & dave robertson chart storming & world-wide promoted fifteen years on from the first infamous and (unofficial) release of this absolute anthem in 1993, the life and pure magic of energy 52s >cafe del mar< lives on! bringing things up to date for 2008, we present three huge remixes, headed off by uk dance legend michael woods. woods astonishing remix, complete with a heart stopping breakdown that will devastate the clubs, is a fresh and totally modern take on the well known classic. super clubfriendly, this jaw-dropping remix is sure to make it into all the right boxes! canadian dj and producer deadmau5 has risen to international success in recent years thanks to his addictive mixture of electronic wizardry, spanning progressive house, minimal trance and techno with ease. his remix is no less astounding, as a simple yet teasing introduction eventually opens up into those familiar chords, before dropping back into a warm and summery musical throb

phat atfc & slackers proggy trance infected remixes

nice price deal !!! big with mickey moonlight, tensnake, cosmo vitelli, todd terje, joakim and the permanent vacation crew. they ve been called one of dance music s best kept secrets jackpot. in 1983 italian experimental sound artist marco donatello and swedish synth pioneer gleen asp made recordings together. their ambition was to put sound to an art-project but the result was an erotic cocktail of italo-esque melodies, ebm rhythms, and filmic arpeggios. legend has it the music was made as an excuse to press records off a narcotic solution in order to smuggle drugs, and that a mishap during the operation explains why we haven t heard these tracks before. in any case, this is an exclusive document of unknown yet truly unique swedish dance music.

bangkok impact returns just before the summer with 2 great tunes. la musche is a masculine disco monster that kicks ass! a 8 minute monster that has powerfull basslines making the room explode when being dropped at the right moment. will be big with all the fans of rekids, prins thomas and lindstrom. b-side is used for a track called caro (coming in two versions.. original & disco version). a perfect summer hymne that will make people smile when its being dropped at the main stage at the summer festivals.

rong music introduces a fresh new artists to the label - mr. chin. originally from new york, now based in sunny southern california, chin is a world renowned disco dealer to many a high end disc jockey. from heavy hitting disco breaks to body and soul type music, his first outing has a little something for everyone in the shop. this release contains a cheeky jungle brothers sample. this a very limited release, so pick it up quick before its gone!

dj yellows different influences culminate all in this 13 mins long voyage and its more dj friendly edit!! yellow takes advantage in the original mix, drawing out the intro for 5 mins before dropping the beats. an overwhelming bassline twirls up from the beginning accompanied by sweet bell melodies and beautiful warm pads before the madness starts...

karateklub suprises with hugh tracks from jenn, fantastically remixed by rebekah (criminal/uk). with >cheeky<, jenn presents a groovy and much more minimal side then we allready heard on her last ep. suprising and reduced, her sounds looping up and down, embedded in a clonky basedrum structure. the remix, made by rebekah, well known from her releases on criminal records, is just fantastic and completes the ep brilliantly. she desinged a hugh groove and pushed it forward. by adding her ideas she creates an excellent new track. the interface original is specified by stomping and jigging beats, which get intermitted by smooth voices and melodies, before pushing it up again. these girls have it and paint the town red!

ft southside hustlers >right before my eyes< / deepgroove >break of dawn<

all good things go by three, brilliant third popnorama release! with his amazing remix for off pop on popn002, he introduces himself impressiv. his style is like made on mars. never before we heard such f*ckin great stuff! with his rough and reduced dirty finch he defies all them lovely melodies and set the point to the biiiiig basedrum. smash the voice and get up! the opposite of the original track comes from johjon, who is allready known by his great remixes for stil vor talent, dirt crew and heiko laux. he makes the >dirty finch< move on smooth minimal house vibes.

songs from the source is a lost and found 1973 recording of the source family. these twelve songs were recorded live in the hollywood hills as a rehearsal for a concert date that spirit of 76 - aka yahowah 13, the savage sons of yahowa, yodship, and firewaterair, now known as children of the sixth root race - had at the whisky. a 1/4 tape copy of the recording was found in chicago in 2006, though no one is really sure how it got there. djin aquarian, rhythm guitarist and songwriter for spirit of 76, recalls being sent on a mission to chicago later in 1973, where he believes he left the tape with an old friend. djin wrote most of the songs in the year before he joined with the source, as part of his solo mystical quest to help enlighten the world before it might annihilate itself, adding, im glad both the album and the world are still here.though this rehearsal wasnt meant to be released at the time, there are probably no other recordings as complete of the band doing these songs. the spirit of 76 had a different sound than the one yahowah 13 made with yahowa. songs from the source has more r n b grooved energy, with splashes of synth and organ, a female vocal chorus and streamlined fusion rhythms backing the uniquely yahowan lyrical populism of songs like godmen and lost dead but hoping. songs from the source is a miraculous missing piece of the sources positive musical movement. the members of yahowah 13 (djin, sunflower on bass, octavius on drums) were joined by family members ahom, aquariana, cinderella, rhythm, vibration, and zoroaster on lead guitar, to create the ecstatic sound of spirit of 76.

a third ep on trenton from theodor zox and his copenhagen grooves! >moodswinger< is a bit of a more house-y record but still with theodors recognizable touch, short sounds and shuffled beats. still theodor explores new corners of funkiness while making sure he gives you that bounce. its summer after all. on the >moodswinger< remix, reynolds re-interprets the track with different keys. as its his forte, reynold drops some cinematic shit in the middle before bringing back the funk hard. all that and he still manages to keep the track tight and solid. the 2 tracks on the inside are a bit more experimental and make that record a perfect tool for early, peak time and after hours sets. thanks for supporting us and keep it real

jaffa music is proud to present freedom part ii with massive new remixes from halo, jamie thinnes and dolls combers. no need of introduction for this title....just another huge freedom package being released right before summer that should provide something for everyone from deep minimal to balearic funk. dont miss this sure to be reference for the upcoming summer season! included in the package is a bonus track called breathe from singer jono mcneil who has featured on jaffa musics first ever release miscommunicate. thanks to benny pecoraio and his way too classy remix. this should have the exposure it really deserves!

to celebrate the release of the motion picture robocop in russian theaters this spring (russian version robotkop!), turbo presents the latest masterpiece by everyones favorite muscovite prodigy proxy: 40 seconds / dance in dark. dance in dark, long supported by the usual suspects (ebnt2mdjtc) samples quirky icelandic singer djork to devastating effect, while 40 seconds tears a page from global headlines with its scathing indictment of police brutality and government corruption. 2008 will also see the release of proxys debut album, so everyone get on board now before we stop taking passengers on the trans-cyberian express.

one sided killer application!! some tracks are so weird, that they can neither be fit into a regular release schedule, nor an appropriate b-side be found. for these black sheep we have decided to create a small niche on connaisseur supérieur. the cnss black edition will sporadically present tracks that are way out of our usual categories… with >numb<, daso finally opens his >panteras< box and again proves his ability to rock reeeally hard. the track actually consists of two seperate tracks whose combination has proven itself during several of dasos live performances. it is the transition between the two tracks that makes the crowd go mad. the clonky intro (already published on ware records as mud max - zampone (maderfotor rmx)) morphs into a giant breakdown with perhaps familiar sounding spoken words before it suddenly reincarnates as a ravey monster from hell! numb shouldnt be taken too seriously and is definitely not for all occasions, but dropped at the right moment, this atom-bomb will cause serve damage on dance- floor-gro

for the second exclusive >eyelights< two-track sampler ep, we bring releases from two of freak n chics finest new talents – shonky and dyed soundorom. the a-side to fnc030 comes from shonky with >bushes<. >bushes< is shonkys softer side, unraveling warm and dreamy loops and beats it is filled with luminous synths and samples. >he did something more housey, something looking more towards what i play. a new side of shonky that we dont know yet, but its really good. and you can recognise shonky is still keeping his style in there of course.< dan ghenacia shonky studied mathematics before finding his passion in the formula of techno music. his recent debut artist album >time zero< for freak n chic propelled him to the forefront of a fresh generation of producers. with past releases on crosstown rebels, mobilee, substatic, resopal and of course freak n chic he plays a main role in the new current of french talent.

cult new york label nu groove 1992

another one of daves favourite producers, jori hulkkonen has turned in an equally massive rework that really utilizes the original parts to full effect, building layer upon layer before really hitting its stride and leaving no dancefloor untouched. mr funkagenda (or adam to his mum) delivering yet another electro techno monster straight out of the top drawer that gave us what the fuck and man with the red face. already road tested to a riotous response, this is set to be huge. quality gear.

klakson is dropping a hot release just before the summer really kicks in... number one gives us two warm driving house/techno tracks with an amazing vibe. sounds like daftpunk doing techno together with carl craig. on the a side we find this amazing deep house track called all the same. phat beats to move you ass but again with a beautufull melancholic topping. the aa side comes with this crazy jam called wonka. it takes you to the top with this incredible build up, ready to explode! at this moment we have no further info on the identity of dxr, or do we? take wild wild guess and listen to the production skills. two great tracks to bring the party to another level

full support by angel molina, dub kult, mathias schaffhäuser, jeff bennet, xpansul, oscar, remute. after releases on the own label, now the first excursion to the well-observed european realms follows on karloff rekordings. analog beats, bleeps and white noise - in sunny california these popular ingredients of minimal techno get brewed together with surprising facility, to a fresh, jacking a-side track with a sturdily nodding groove. on top of that, >azizam< doesn’t lack a clearly distinguished climax - for the good of the dancefloor! on the b-side >off my mind< first appears organicly floating within a warm and fuzzy scent of detroit, before >backwards on pony< finally unwraps classic sawtooth sequencer techno, however properly purged und worked up percussively, to a seething cauldron that you simply have to like!

as one of the leading voices in japans techno and house scene, this dj, producer and live performer knows what dark textures, dirty bass lines and driving beats are all about. this ep arrives as a bit of a powerful undercover tool style installation, full of simple percussive allotments, syncopated synth bass stabs and plenty of swing. hane starts out as a pretty straightforward loop minded drum workout, but before you know it a delicately plucked synth jam ignites the mix.

a fascinating delve into the bizarre and brilliant world of jeremiah yisrael and the disco funk treasures of tap records. i ll let it rot before i let them take my shit. – jeremiah yisrael forty seven tapes, reams of sheet music, copyright forms, membership applications for the brotherhood of wisdom, two flaking acetates, three moldy 12inch singles, and a script for the still unfilmed motion picture angel dust. we stuffed it all into four supermarket fruit boxes, jammed them in the back of a rented chrysler town & country, and tore ass out of nathaniel jeremiah ben yisraels driveway, making a getaway that simultaneously spit us right back at the most bizarre recorded mystery we d ev

played by: laurent garnier, dubfire, dusty kid, florian meindl, unkle, the hacker,... stephan bodzins first strike in 2008 is about to approach. after his stunning debut album mr. liebe ist is now taking off the gloves and bares the wicked part of his personality. first results are two irritating and ingenious tracks named >bremen ost< and >station 72<. alluring sounds with a mind-boggling aura emerging as thrilling dance floor injections! mental disease was never that fascinating before!

plays by jeff mils, dave clarke, james ruskin, paul mac, pacou and many more.. phase is back on token with a winner. after >morodem<, which was sold out even before its actual release, we decided not to wait too long for the follow up which is a double a-side, a for the peaktime hour & aa for the afterhour..

dj support – eric prydz, john digweed, sebastian ingrosso, steve angello, axwell, nic fancuilli... following the monster success of the teaser remixes comes this next cirez d bomb on the enormous mouseville imprint. eric can be described a a true scene pioneer as here again he mutates his style to create a truly fresh dancefloor sound with these 2 new killer tracks. both of these tracks have to heard on a club system to be believed. stockholm marathon wallops along with its bass heavy groove and chord use similar to that in teaser before dropping immensely mid way. the journey is simply epic and has been one of the biggest tracks in erics sets for some time with its vocal refrain and enormous driving snares and gut wrenching sub bass

jesse siminski is one of those musicians its impossible to ignore. whether producing as heartthrob or alter-alter ego vivianne projects his work is instinctive, insightful and driven by an irresistible force that instantly rubs off on the audience. its no surprise then that the first single to be lifted from heartthrobs eagerly awaited debut album >dear painter, paint me< is >signs<, a track that fully demonstrates the extent of his repertoire. one of the highlights of his not-to-miss live set, its also become a corner stone of richie hawtins dj sets over the last few months due to the massive crowd response it generates whenever it drops. billed as homage to classic detroit techno, theres a real air of expectancy about the mix friendly introduction. the powerful kick pattern, swirling sci-fi vocal efx and loose hi hat groove soon make way for the urgent, cavorting main melody that spins off into another dimension before a massive, resonating synthetic bass wipes out everything in its path. one of the main ideas running through the album is the juxtaposition and layering of different rhythms and time signatures and this really comes across on signs, with disco and caribbean inflections adding a cut and thrust to the chugging groove, creating the perfect foil to the sonic mayhem overhead. the b-side features apprentice – a tag heartthrob can safely leave behind with the release of >dear painter, paint me<. of course its another guaranteed floor filler with a finely honed acidic riff that immediately taps into the subconscious...

skinnerbox, thats also two gentelmen, one of them immigrated from a far away country and both living in berlin now. in their boxes theres no devil but there are grandpas old synths, funnily and heavily beeping and bumping beats and basses, joy and fun as in godizllas playroom. and then comes mister humantronic, his remixs, finest tech that will wake up the beast even where no beast was ever before. a record to love and to pamper!

the spring time is aproaching and jesus loved you production is blossoming like never before. day by day, the familiy of valentino kanzyanis proteges is getting larger and larger as he keeps on recruiting more and more of the worlds most promising young djs and producers. topping the list of those who have been choosen to bear his sign, here comes chris barratt to show our crowd what he is made of. magicalminimalpopmusic is his second release for the jesus loved you and we can assure you that it is everything its title promises it to be - fun, minimal and emotional. the release expresses two sides of chris barrat. the gentle, almost fragile angel bells is a very kept back piece and is - as chris himself would have put it - all about emotions. whistlechimes is a more dynamic track with a perfectly fitted long bridge in the middle, making one feel chris barrats his huge dj potential.

another smashing ep on nerven! marco remus signed dj bold for this one, whom he had signed before for the ep >raw nerves<, a great record that will not be forgotten soon. this ep, >shattered nerves< is bound to go into the historybooks of hardtechno too, as dj bold knows exactly how to make beats

not another promo text!?!? we find that all of the music produced by harry axt speaks volumes, therefore we simply (and happily!) offer you these two new tracks. it s worth mentioning that this is the last ep from harry axt before his album release in october on rompecabeza music. the whole summer he will indulge in a production break, so that he may doze in the sun, test every type of beer possible, demolish enormous amounts of grilled meat and danish ice cream, and then completely concentrate this replenished creativity on his debut album. then, while the sun fades away for another season, he will let the sunshine back into our ears…

he soul mechanik brothers operating under their creative use name have taken a pair of stone cold underground club classics and extended and amended them for modern use. cat stevens >was dog a doughnut< has appeared several times over the years in many shapes and sizes, this definitive extended version has to be up there with the best of them though, allowing the dislocated funk of the original to simmer away before reaching boiling point. similarly riuchi sakamoto’s timeless classic >riot in lagos< should be mandatory listening for anyone with an interest in electronic music, an absolute masterpiece in it’s original form, this version takes the meat of the track straight to the dancefloor where it’s turned into a juicy electrofunk sandwich of tastily huge proportions

after the roller coaster success of the total departure from smith and selway comes yet another bomb from adam beyers now more than legendary imprint. after the success of kyle geigers release as dc37 comes the follow up release. as before we have a twisted dancefloor monster this time with the addition of remixes of heavyweights jpls and martinez

heres a 3rd slice of the big pie featuring deeons bite off mike dunn, >let it be<, which is a deeon style rejig of mikes >let it be houze.< then he gets even finer with >fine hoes.< slugo pitches in with his all time classic >where the rats<(dm168) and tosses in >like it raw (subyh)< which is from the >like it raw ep< (dm143), on which its titled >strap up before you hit it.< its a dirty job, but someones gotta do it let it be >huge classic< ! tip

rob mooney is definately a name you should watch out for! with his first releases on substance, renaissance and punch funk rob delivered a couple of highly respected tech house killers. now the protagonist from portsmouth surprises us with new fresh stuff on alphabet city and delivers us three pumpin and solid tracks. >mask<, the a side track begins where his hit record on substance has stopped. driving and forward going beats with heavy and distinctive, backwards slippin basslines you might not have heart before. ace! but check >tundra< and >together< too

following the success of last years >nitrogen 2 oxygen 1< ep for siteholder records and the recently released >filthy fibber< ep on uncut, the duo of billy dalessandro and daniel mnookin have teamed up once again under the slutbox moniker to deliver the >backseat driver< ep. switching up the rotation, the ep kicks off with los angeles based producer jason emsleys >lick it, smack it, rub it down remix<, a filthy number that no amount of sludge can adequately describe. a subtle, yet effective rhythm section keeps the dance floor busy while the dirty synth overtones grow larger and larger until they have conquered ones brain synapses. feeding off of the original vocal and adding some x-rated lines of his own, if pornographic techno wasnt a genre before, it is now. the original is pure slutbox at its best. deep bass, seductive rhythm, addictive loops, and a spanish guitar combine to make this one another club killer. as if you had a choice, please make your way to the dance floor - the night has begun. rounding out the vinyl release is st. louis via berlin dj/producer butane (a.k.a. andrew rasse). known for his widely praised work on his own alphahouse label, as well as top techno imprints dumb unit, num, and rrygular, butane has long been a friend of the siteholder crew and takes this opportunity to make his debut on the remix tip. deep, druggy, and hypnotic, butanes >percocet remix< is what one has come to expect from the late night veteran. whether its early evening, time to jack, or after-after hours, the >backseat driver< ep is an all-in-one tech fueled necessity

this soulful banger was originally signed to dj spens code red imprint, but before even seeing the light of day it was snapped up by the original us house label – strictly rhythm. wondrous showcases the killer vocals of the original underground diva susu bobien. the package delivers mixes from atfc & spen under his muthafunkaz guise as well as his original. this is a slice of the most upfront soulful house that any dj who likes his soulful house should not miss out on. smashed all over by heavyweights such as kenny dope, louie vega and todd terry.

supported by alex attias (planet e), italoboyz, karotte, sebo k, raresh, d julz, funk d void. michael melchner is barely at the beginning of his twenties. at the moment deep house of the late nineties has to take a shine to him. in the detail it gets clear, that this is not only a copy of an epoch, but a certain vibe, which is going to be transferred into the present. this vibe with his warm sound, the well dosed house beats and a strong musical sense is hearable, but this sounds by no means antiquated. on a-side several instruments like percussions, xylophone and samples of an mexican trumpet make sure that there isn’t only an exiting variety shortly before or after the primetime, but also a proper portion of itchy feet. with the both tracks on the flip-side the whole spectrum of michael melchner becomes clear, at the one hand a clear view on the dance floor with classical house beats and on the other hand a musical character, which one misses in many current productions. >chen chen< is slightly more co plicated and more rhythmic whilst >nothing happened< is a pleasing leaned back dramaturgical subtle house piece with a distinctive bass line and interspersed voice samples.

rick wade - one of detroits inner house music circle together with moodyman and theo parrish - revives his legendary harmony park imprint and rest assured: it has lost none of its magic. after embracing the listener with a nice, thumping rhodes jazz cut for a start, he gets right down with sleazy, uncut disco funk before flipping back to melancholic, bluesy piano chords and string layers on the flip. 4 equally great tracks make this an essential purchase for all lovers of kdj and sound signature!

new full length from seminal industrial band meat beat manifesto (aka mbm). led by sound sculptor and producer extraordinaire jack dangers, mbm is continually evolving. its tenth album pushes musical boundaries further than it has before, creating a masterpiece of electronica and dubstep. meat beat manifestos constantly evolving musical invention has generated a long string of influential futuristic classics, including such tracks as god o.d., psyche out, helter skelter, radio babylon, edge of no control and its the music. the single, prime audio soup (from the album actual sounds and voices) was featured in the sci fi fantasy blockbuster the matrix and on its platinum selling soundtrack.

opener >playing for keeps< is an exhilarating trip, centered around a swinging mapped by crunching beats. chopped and skewed, pulsing electro house melodies fight for attention with sampled cuts of big band, tiring to a slow and heavy halt before picking themselves up and punching it out to close. >playing for daddy’s girl< is an equally agitated reprise, introducing distorted 8-bit melodic tones and a throbbing deep bass into the fray as a sampled audience cheers on the ensuing battle for the listeners attention. on the b side, the mole transforms >playing for keeps< into a driving house number, with subtly escalating melodic synth growing into a deep and hypnotic dark electro sweat fest

3 classic and rare chicago cuts plus another recent, searched after house anthem

pogo features digitalisms trademark synth saturated production & live drums, but they ve introduced some new order esque guitars & jens moelle from the band singing vocals. these remixes of pogo comes courtesy of css. digitalism make electronic music that everyone can rock to - they are part of a new breed of producers leading the renaissance in electronic music reinvigorating and uniting the indie and dance scenes. after their sell out dates last year, hamburgs hard working digital duo continue to troop the globe with even bigger tours at even bigger venues before hitting the festival circuit.

zombie-zombie is a crazy scientist and musical project based in paris, lead by two people, professor etienne jaumet and cosmicnemanusing sound and rhythm to explore the feeling of fear growing deep inside of you

andrés first release for simple records >wanna feel< is all about the resonant, hypnotic bassline that steadily opens out to reveal more layers of harmony. little sounds and licks of melody dance around the bass whilst strings and stabs build the hook into one big crescendo. brooks melancholic strings, cleverly cut up the bassline and an eerie soundscape pushes the vibe of the original into a darker more sinister techno place….this is the lights out, heads down, touch me in the dark kind of groove that we love! finally >move< is an absorbing and patient deep house gem. plunging into a backdrop of prodded keys that subtly shift in shape and tone, a central synth melody climbs to euphoric climax before retiring back to waves of throbbing bass and rolling percussive loops